Compare the funeral scene in Tokyo Story to the portrait scene in Early Summer. Like the funeral scene, how is the portrait scene representative of common Ozu themes—for instance, unity and/or dissolving of familial units, the inevitability of change? Filmmakers name is Yasujiro Ozu. It might be a good idea to watch the funeral scene in “Tokyo Story” and the portrait scene in “Early Summer” on Youtube. Both clips are not long at all. I added 2 articles that relate to the topic. please use quotes that are relevant but its ok to use other sources if you can find any. At least 4 quotes would be nice. Thank you
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